WORLD PREMIERE OF A SLOVAK DOCUMENTARY IN SHANGHAI |
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Initially, this daring idea seemed to be only wishful thinking. Hudec’s Grand Theatre is part of a chain of Shanghai multiplex cinemas, owned by Hong Kong businessmen. Would the author of the documentary succeed in arranging rental of the cinema? Furthermore, documentaries are not usually shown in Chinese cinemas and that is why the Chinese audiences are not accustomed to go and see such films in movie theatres. Would there be enough spectators to fill such a large theatre? The exhibition EXPO Shanghai 2010 had then been going on for several months, bringing every day numerous offers of interesting cultural events from all over the world. |
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Moreover, it is impossible to screen any film in China without approval of the censor. A long approval procedure must be passed through before public screening of a film in China...
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Thanks to cooperation with Shanghai museums the lobby of the cinema was turned into an exhibition hall for the premiere. Advertising panels with text in Slovak and Chinese were specially made for the premiere, introducing some remarkable buildings made by L.E.Hudec as well as the personality and works of the Slovak film director L. Kabos. Theo Hudec, the 85-year old son of architect Hudec from Victoria in Canada, also accepted an invitation by the MEDIA FILM company to attend the world premiere of the documentary held on September 3, 2010. |
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The cinema whose current capacity is 1,350 spectators were packed to the last seat. Politicians and cultural figures of the People’s Republic of China and other distinguished international guests came to the event.
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“When browsing through the family archive of Martin Hudec in Monaco, our attention was attracted by a postcard bearing a note written by architect Hudec: This is my first sacral building. The sketches and blueprints for this, probably the very first, building designed by Ladislav Hudec, are kept in the Canadian Victoria University. As if by miracle, that particular building survived a large fire that gutted virtually the entire Slovak village of Vyhne, once a famous spa resort,“ director L. Kaboš explained to the journalists attending at a press conference in Shanghai. As a result, Slovakia can pride itself on the only building by the famous architect outside China. |
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The authors of the documentary wrote about their architectural discoveries in a brochure called The Man Who Changed Shanghai and published in English and Chinese by the MEDIA FILM company on the occasion of the film’s premiere. |

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”I think that the Shanghai premiere and many face-to-face meetings have greatly improved Slovak-Hungarian relations as concerns the interpretation of the life story of L.E.Hudec.“ added director L. Kabos. |

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Kabos’s documentary has not only made Slovakia visible in China but also attracted the Chinese audiences as a magnet: ”When I have saved enough money, I will definitely go to Slovakia, since I would like to see the country where our “Udac” (this is how the Chinese pronunciation of the name Hudec sounds) was born and where he grew up,” one of the managers in the Grand Theatre said... The shots showing Banska Bystrica, the village of Vyhne as well as the unique films made by Hudec himself will keep reminding the Chinese, long after the end of the World EXPO exhibition, that the father of ”Asian skyscrapers“ came from a country called Slovakia.
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